In and Out of Life's Gardens
To the natural sequence of reading Ecclesiastes and the Song, I included Lamentations in order to make readings on later days more equal in length. Despite the disparity in their content and style, I would like for us to consider all three under the imagery of a garden.
Life outside the garden
Ecclesiastes pictures life outside the Garden of Eden. Mankind now lives “under the sun” and all is vanity. Ecclesiastes presents the frustration, unexplained questions, and futility of life. Welcome to reality! Along the way, however, Ecclesiastes provides some answers, although admittedly not all the answers and not always satisfying answers. The end of the book will provide the ultimate answer (12:13). In addition, Ecclesiastes contains proverbs that set forth wise thinking and behavior. Life’s futility does not excuse relativity. There are rights and wrongs, and a judgment lies ahead (11:9).
According to Ecclesiastes, the panacea for the futility of life under the sun is “godliness with contentment.” Highlight these four themes as you read Ecclesiastes:
Intimacy as a garden
The Song is perhaps the most pure example of Hebrew poetry found in the Old Testament, and it brings the power of its poetry to bear on the romantic relationship of one couple, Solomon and the Shulammite. Imaging their relationship as a garden is not much of a stretch as the Song itself uses the image of a vineyard (2:15). The Song catches up with them during their courtship (1:2-3:5), zooms in on their wedding night (3:6-5:1), and portrays some of the relational hiccups that occur after the wedding (5:2-8:4).
Their courtship is characterized by longing, admiration, anxiety (3:1-5), and—very importantly—restraint. “I adjure you, O daughters of Jerusalem, by the gazelles or by the does of the field, do not arouse or awaken love until it is desirable” (2:7; 3:5; 8:4). A garden of delights awaits them on their wedding day, but it is not to be enjoyed before then. The fox of premarital indulgence could spoil their vineyard (2:15).
Their wedding night contains procession, excitement, wonder, eagerness, consummation, and sanction. Solomon especially praises his bride for her beauty (4:1-11) and her purity (4:12). The narrator’s voicing his approval of their union conveys God’s sanction of the newlyweds (5:1b). A garden needs tending and so does the garden of romance. Male and female rhythms do not always keep pace together and that can create tension in marriage (5:2-8). But through transparency, communication, and voiced admiration (5:10-16; 6:4-10), a couple can weed out relational tensions and enjoy the ongoing fruits of intimacy.
Two final thoughts on the Song. First, The Song is told largely from the feminine viewpoint and sheds light into feminine thoughts and emotions. Both men and women need to read the Song and profit from its content, but it especially hammers home certain truths to the “softer gender.” The Song is for women what Proverbs 5-7 is for men. It shows along what pathways a woman can be tempted to abandon her treasured purity and sacrifice it on the altar of wanton desire. It also exposes those attitudes or actions that can hinder her marital intimacy and create distance between her and her husband. Second, the Song ends by reiterating the Shulammite’s purity (8:8-10). Being a “wall” before marriage fostered the unsullied satisfaction enjoyed after marriage.
A Garden lost due to sin
Lamentations’ Hebrew name is Ekah, which means “how!” Israel bereaved of Jerusalem and the Temple . . . How can this be? The answer is sin! Israel rebelled against God and was expelled from “garden” He had given them.
Lamentations is a dirge mourning the destruction of Jerusalem in 586 BC. Its five chapters are each a poem based on multiples of 22, corresponding to the 22 letters of the Hebrew alphabet. Every chapter except chapter 5 is an acrostic. Each chapter also highlights a slightly different theme related to Jerusalem’s destruction.
Lamentations is relevant for those experiencing chastisement. It is a reminder of sin’s certain and painful consequences. No one gets away with any sin! Second, it is a guide of how to pray during times of chastisement. Speaking of your pain to the Lord is permissible, but do so with a heart of genuine grief and repentance for sins committed. Third, Lamentations is a pointer as to where to hope in times of chastisement for sin. Hope in the character of the God who chastised you—He is good, merciful, compassionate, faithful, just, impartial, eternal, and sovereign.
Life outside the garden
Ecclesiastes pictures life outside the Garden of Eden. Mankind now lives “under the sun” and all is vanity. Ecclesiastes presents the frustration, unexplained questions, and futility of life. Welcome to reality! Along the way, however, Ecclesiastes provides some answers, although admittedly not all the answers and not always satisfying answers. The end of the book will provide the ultimate answer (12:13). In addition, Ecclesiastes contains proverbs that set forth wise thinking and behavior. Life’s futility does not excuse relativity. There are rights and wrongs, and a judgment lies ahead (11:9).
According to Ecclesiastes, the panacea for the futility of life under the sun is “godliness with contentment.” Highlight these four themes as you read Ecclesiastes:
- Recognize and accept the enigmas God allows.
- Embrace the wisdom God reveals.
- Enjoy the gifts God gives.
- In all and above all, reverence and obey God.
Intimacy as a garden
The Song is perhaps the most pure example of Hebrew poetry found in the Old Testament, and it brings the power of its poetry to bear on the romantic relationship of one couple, Solomon and the Shulammite. Imaging their relationship as a garden is not much of a stretch as the Song itself uses the image of a vineyard (2:15). The Song catches up with them during their courtship (1:2-3:5), zooms in on their wedding night (3:6-5:1), and portrays some of the relational hiccups that occur after the wedding (5:2-8:4).
Their courtship is characterized by longing, admiration, anxiety (3:1-5), and—very importantly—restraint. “I adjure you, O daughters of Jerusalem, by the gazelles or by the does of the field, do not arouse or awaken love until it is desirable” (2:7; 3:5; 8:4). A garden of delights awaits them on their wedding day, but it is not to be enjoyed before then. The fox of premarital indulgence could spoil their vineyard (2:15).
Their wedding night contains procession, excitement, wonder, eagerness, consummation, and sanction. Solomon especially praises his bride for her beauty (4:1-11) and her purity (4:12). The narrator’s voicing his approval of their union conveys God’s sanction of the newlyweds (5:1b). A garden needs tending and so does the garden of romance. Male and female rhythms do not always keep pace together and that can create tension in marriage (5:2-8). But through transparency, communication, and voiced admiration (5:10-16; 6:4-10), a couple can weed out relational tensions and enjoy the ongoing fruits of intimacy.
Two final thoughts on the Song. First, The Song is told largely from the feminine viewpoint and sheds light into feminine thoughts and emotions. Both men and women need to read the Song and profit from its content, but it especially hammers home certain truths to the “softer gender.” The Song is for women what Proverbs 5-7 is for men. It shows along what pathways a woman can be tempted to abandon her treasured purity and sacrifice it on the altar of wanton desire. It also exposes those attitudes or actions that can hinder her marital intimacy and create distance between her and her husband. Second, the Song ends by reiterating the Shulammite’s purity (8:8-10). Being a “wall” before marriage fostered the unsullied satisfaction enjoyed after marriage.
A Garden lost due to sin
Lamentations’ Hebrew name is Ekah, which means “how!” Israel bereaved of Jerusalem and the Temple . . . How can this be? The answer is sin! Israel rebelled against God and was expelled from “garden” He had given them.
Lamentations is a dirge mourning the destruction of Jerusalem in 586 BC. Its five chapters are each a poem based on multiples of 22, corresponding to the 22 letters of the Hebrew alphabet. Every chapter except chapter 5 is an acrostic. Each chapter also highlights a slightly different theme related to Jerusalem’s destruction.
- Lamentations 1 reports on the lack of anyone to comfort Jerusalem in her sorrow (1:2, 9, 16-17, 21).
- Lamentations 2 views Jerusalem’s destruction as a result of divine wrath (2:1-4, 6, 21-22).
- Lamentations 3 clings to hope in the midst of sorrow because of God’s unchanging goodness (see vv. 21-26).
- Lamentations 4 dwells on the great calamity that befell Jerusalem.
- Lamentations 5, in its entirety, is a prayer. Although Jerusalem’s desolation seems permanent, prayer finds hope in a God who is eternal and sovereign.
Lamentations is relevant for those experiencing chastisement. It is a reminder of sin’s certain and painful consequences. No one gets away with any sin! Second, it is a guide of how to pray during times of chastisement. Speaking of your pain to the Lord is permissible, but do so with a heart of genuine grief and repentance for sins committed. Third, Lamentations is a pointer as to where to hope in times of chastisement for sin. Hope in the character of the God who chastised you—He is good, merciful, compassionate, faithful, just, impartial, eternal, and sovereign.
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